Our story

A world-spanning journey

A jeweller's bench bought with wedding money, a stall at a makers' market, seven years in South Africa, and a studio in Canberra City for more than twenty years. This is where the pieces come from.

  1. 1989

    The first bench

    The day after they got married, Eytan and Nurit took the money they received from their wedding to buy the basic equipment needed to make jewellery and set up a studio in their apartment. Eytan graduated as a jeweller and diamond setter the same year, and the two of them sold their first pieces at an artists’ market half a world away.

    Eytan working on the bench from home
    Eytan working on the bench from home
    Eytan at the stall
    Eytan at the stall
  2. 1991

    Johannesburg

    Eytan and Nurit opened a studio upstairs in the Rosebank mall and started setting the unique gemstones they sourced in South Africa.

    Market days, 1990s
    Market days, 1990s
    The Rosebank studio
    The Rosebank studio
  3. 1998

    Sydney

    The family moved to Australia and opened in Double Bay. Sydney gave the studio its first Australian customers and, later, the ring that would become its signature.

    Double Bay
    Double Bay
    Knox Street
    Knox Street
  4. 2002

    Canberra

    They moved to Bunda Street in Canberra City, where the studio has been ever since. In 2006, an indicolite tourmaline became the Opera House Ring. In 2011, the Always Clock: the first clock ever made in Mokume Gane, exhibited at Parliament House the following year.

    The Bunda Street door
    The Bunda Street door
    At the design table
    At the design table

The family

Three at the table

Eytan Aharoni smiling at his jeweller's bench, magnifying visor on his head
Eytan AharoniAt the bench, Bunda Street
Eytan and Nurit Aharoni standing together
Eytan & Nurit AharoniWorking together since the first day

Eytan Aharoni

Co-founder, designer and master jeweller. Trained as a jeweller and diamond setter in 1989, at the bench every day since, and a third-dan black belt in Shotokan karate, earned in Ekoda, Tokyo, which he says taught him the same patience that working with the metals demands.

Nurit Aharoni

Co-founder and designer. Nurit has an eye for bringing together colour, shape and proportion in beautiful and unexpected ways, and a gift for drawing out what a client really wants from a piece. She encourages people to think outside the box and try things they would never have expected to love.

Daniel Aharoni

GIA certified gemologist, trained in gemology and CAD design at the GIA Carlsbad campus in California. Daniel brings a wealth of knowledge and expertise in gemstones, and can turn your first idea into a design on screen so you can see clearly what your piece will look like.

In print

As featured in

Newspapers and magazines in Australia and South Africa have written about the studio and its work. Here is some of what they said.

Panorama, The Canberra Times, cover: Eytan Aharoni at his bench under the headline Tick tock

This is a work of international excellence.

The Canberra TimesMichael Danby MP, in “Unique timepiece ticks all the right boxes”, 2012Read the full article
Canberra Weekly magazine page: Architecture inspires art, a profile of Eytan and Nurit Aharoni

A working dynamic that sees them create exquisite, unique jewellery with passion and élan.

Capital Magazine cover featuring the Opera House Ring

A stunning example of symmetry and design excellence.

Femina magazine page: A rainbow of rings, a feature on Eytan Aharoni's gem-set rings

We offered similar rings last December and you loved them so much that we asked Israeli jeweller Eitan Aharoni to come up with a new design, specially for you.

The Canberra Times page: Set to sparkle, a profile of Eytan Aharoni with photographs of his rings and pendants

Eytan Aharoni has a deep passion for jewellery.

Capital Life page: Find a rare gem at the Australian Craft Show, with a Paraiba tourmaline ring

Eytan Aharoni is not a typical jeweller; then again, his jewellery is anything but typical.

In Eytan's words

What guides the work

I still believe in clean, simple lines around a gem. The stone has a life, and a light, of its own, and it does not need fuss. The right design is the one that reveals the gem for itself.
The process of making Mokume Gane is a dialogue between the maker and the metals. Only if they are handled in a way that suits their nature will the result become one fused piece.
I grew up in a house surrounded by beautiful objects, from the cutlery on the table to the hand-woven fabrics the family wore on festive days. My mother always wore richly coloured 22 karat gold. I am sure these things chose my path for me.

In the community

Sharing the craft

The studio has been part of Canberra City for more than twenty years, and we like to open the door to it. A preschool group once visited to see the bench and hold a raw stone, and each child went home with a small piece of tourmaline as a gift.

For several years we also ran an annual design competition open to anyone in Canberra: entrants were given a set of stones and a blank page, and the winning drawing was made into a real piece, which the winner kept free of charge.

A hand-drawn thank-you card from a preschool group after their visit to the studio
Thank youFrom a visiting preschool
The 2016 winning ring worn on a hand
Design competitionThe 2016 winning ring, worn

Download PDF

Next step

Ready when you are

No appointment is needed to browse the collection. For a design consultation, book a time and the design table is yours.

See it in the gallery